Ten Things I Would Tell My Younger Record Collecting Self

Marc HenshallCulture & Industry, New to Vinyl12 Comments

Whatever we do in life, we never stop learning. Whether it’s through the school of hard-knocks or by following family, teachers and mentors, we never stop learning. 

Record collecting is no different. But what if you could go back in time. What would you do differently, and why? 

Here are the ten things I would tell my younger record collecting self. Let us know what advice you would give in the comments section. 

1. Inputs are more important than outputs

As a newbie to vinyl record collecting, it can be easy to get hung up on the quality of your speakers, when in actual fact, the input stage of your system is far more important. 

It’s only natural that people think this way; after all, the speakers are what produces the actual sound we hear.

However, when you think logically, the speaker can only ever be as good as the source feeding it.

Within reason, upgrading your cartridge and or turntable can have a much greater impact on sound quality. Start with the input and work your way through the system from here (as and when you can afford to upgrade).

2. Change Your Stylus Regularly 

Worn styli damage vinyl records—that much is obvious to most collectors. But just because you can’t hear noticeable distortion, it doesn’t mean your stylus isn’t worn to a degree and already damaging your records.

Keep an eye on your stylus, as depending on the condition of your records and how often you play them, replacing the stylus once every year is considered good practice. 

For further guidance on how often to replace your stylus, check out our full guide.

3. Don’t sell your CDs

Being a child of the 80s, I loved my parent’s record collection, but my first experiences of buying music for myself were on CD.

When digital downloads started to overtake CD ownership, I transferred most of my collection onto my computer and sold some of the CDs (fortunately, not many). I regretted the few I flipped for a very small amount of cash.

Music instantly became more of a backdrop and less at the forefront of my life. This noticeable decline in listening experience ultimately spurred me on to buy more physical music — especially on vinyl.

4. Never leave records on the turntable 

I’ll hold my hand up and say I was often guilty of this bad habit. It’s lazy, but it ultimately leads to more work further down the line. 

Even with the lid closed, dust will settle on the record and you’ll have a hard time battling dust build-up. Nobody wants to sit there cleaning records unnecessarily, and the best way to prevent over-cleaning is to look after your records and store them correctly.  

5. Don’t obsess too much about Hi-Fi gear

You can always have better audio gear. No matter what your budget, there’s always another magic box to buy or an upgrade you can make. 

At the end of the day, music comes first. Try to enjoy the system you already have. By all means, make upgrades as and when you can afford it, but don’t allow it to become at the forefront of your hobby. In other words, are we listening to music here, or are we listening to ‘gear’.

6. Buy records at random to expand your horizon 

It’s easy to get stuck in a rut with your music choices, but I wholeheartedly believe it’s important to keep discovering new music and exploring different genres.

You can introduce a bit of fun and spontaneity to your next record store visit by plucking a record completely at random, or perhaps even just based on the cover design. 

It’s an exciting feeling to lower the stylus on a complete unknown, with absolutely no expectations other than something new. 

7. Listen to the music, not the format

We love vinyl here at Sound Matters and firmly believe it’s the best way to experience music. However, it’s important not to get too hung up on the format as the first and last word in audio quality.

It’s true to say, vinyl records sound great when handled in the correct way by a great mastering engineer and a first-class pressing process. But it’s also true that a lot of vinyl records don’t sound good, just as a lot of CDs or even digital formats don’t sound very good. 

The mastering can easily make a break any format. Put another way, if the mastering was handled better on a CD copy than the vinyl release, you might be better off listening to that version instead. Put the quality and music first, not the format. 

8. Avoid bells and whistles to get the best quality audio gear

Speaking from my own personal experience, I find bells and whistles on audio gear come at the cost of quality in other areas. 

Too many features on cheaper gear normally just indicates more to go wrong and corner-cutting where it really matters. 

Let’s take turntables as an example. Do you really need the DJ features, such as pitch control and LED lights if you’re using the deck for home hi-fi purposes? Or, would you rather the cost of those features go into better core components, such as the tonearm construction or motor isolation?

Check out our guide to the best budget turntables for high quality decks that won’t break the bank.

9. Be consistent with your carbon fiber record brush

It can seem like a pain to new collectors, but consistently using your carbon fiber record brush (before and after playing each side) really will cut down on the amount of record cleaning.

(We recommend the Audio Quest carbon record brush).

Airborne dust is everywhere, so some of it will inevitably fall onto the record surface when it’s not stored safely in a nice sleeve. To avoid build up over time, consistent use of a carbon record brush is essential. 

10. Make time to visit more physical record stores

Buying records online is convenient, but nothing beats the experience of visiting a first-class record store. They add a community element to record-collecting that just can’t be replicated in the same way online. 

Like any local business, though, they can’t survive without our support. If we want to continue enjoying the community aspect, including in-store live performances and the comradery of fellow music-fans, we need to make more effort to shop in store. Use it, or lose it. 


  • Marc Henshall

    Marc is the owner of Sound Matters and a musician with a BSc Honours Degree in Music Technology. His love for records grew in the fallout from digital downloads and a feeling that, somehow, without the physical medium, the magic was lost.

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john fraser

How do you clean records using a vaccum type machine,the brush on the wand picks up dust,dirt etc and just introduces it to the next record to be cleaned.This is not ideal at all

Paul C

Nice article!! This is my 3rd collection, me too I’m a little bummed about getting rid of a few things from the past. Now to add to the article Yes you don’t need all the Bells & Whistles to hear a great sounding record (like a $30,000 TT or an $11,000 big monster speakers) & Yes the sound is really based on the system it’s playing on just get something in your price rang & you’ll be fine. I have a few TT (Dual 506, Toshiba sr-f451, & a Yamaha YP-B4 & a old Onkyo receiver with Altec Lansing series 9 speakers) it’s a simple system & sounds great. As for newbie record collector I agree with taking a gamble on something new I do it all the time (just randomly picking something just based on the cover or what ever) in those cases some times you have to give a record a few listens before deciding weather or not you may like it.

Thom Moon

Always, keep your records clean – start with the first time you play them. Have a good cleaning system – at the very least, a groove brush as available from several companies, to a liquid system such as GrooveWasher (I use it) up to a complete record washer/vacuum system such as Record Doctor or VPI.

Chris Louis

My only one regret about collecting vinyl is that I wished I kept every record I bought from the late 60s. I would now have some really rare records in my collection.


Quite often you can find reviews on source and quality simply by entering a search for ‘Sound quality of (title) reissue’. I have found this extremely helpful. Nothing worse than forking out the cash for a new LP that you take home and it sounds terrible.


Whoops…reply to Gordon Lindbergh.

Pieter Lloyd

Couldnt agree more David. It is a major frustration of mine. So many of the new pressings are actually poor, but you dont know until the “stylus hits the vinyl LP” So whilst I agree with the commentary of the article featured( Point 7), how do you know until you buy the record. With Tidal and Apple Music the quality you get is consistently fantastic. Yet I am still buying 2/3 new LP’s every week, just to find that at least 1 and sometimes 2 are average.

john fraser

Do not forget about the forgotten component you listening room.Read a book like ethan winer”s the audio expert,you will see graphs how the room boosts and sucks out certain frequencys and how to treat your room.Visit sites like analog magik and wally tools to increase your knowledge of optimum table set up.Your stylus should track the groove at 92 degrees,zenith angle is another important parameter you will learn about and azimuth has to be set perfectly.Only after all this is done you can truly realize the true potential of analog playback good luck

The Archive

“Inputs are more important than outputs” – absolutely 100% disagree with the point being made here. The best cartridge, turntable and (though not mentioned but equally important) receiver in the world can all be made to sound like garbage when ported through terrible speakers. Conversely even the most economical setup can be coaxed to sound very, very good when treated to quality speakers. Good cartridges, good turntables and good receivers will always serve you well. Spend your money on great speakers when you can. The rest will follow 🙂

Gordon Lindberg

There are a lot of new pressings of prior albums. How can I tell if they are using analogue or digital versions of the original pressing? ie: Who or what is a good company to buy new vinyl pressings from?

The Archive

1. For pressing info I always start at Discogs.com
2. For new vinyl I always try to buy from the artists directly when I can (by searching for them on Bandcamp/their own site)