Up until the late 1950s, commercial music was mixed in mono. Even then, it took some time for stereo to take off, and it wasn’t until the late 1960s that stereo went mainstream. In the early days of stereo, many engineers took the opportunity to experiment and play with the format. It’s not uncommon for the stereo version of a … Read More
When it comes to producing and releasing a vinyl record, much of the final outcome hangs on the mastering process. During this final polishing stage, a great mix can either be sent to the stratosphere or drowned in a ditch (figuratively speaking). Any mastering engineer worth one’s salt will take a great deal of care in ensuring the hard work … Read More
When it comes to choosing the right components for your turntable, your phono cartridge is, well, pretty important. After all, this is the device that makes direct contact with your records. In most audio systems inputs are almost certainly more important than outputs; to put it frankly—shit in, shit out. There are two main types of phono cartridge available: moving … Read More
We’ve all got those records, haven’t we? Whether we accidentally put the scratch there ourselves, or we were unlucky enough to purchase a used VG (very good) copy from a reseller that was less than honest – these records suck! They’re the otherwise perfectly listenable pieces of wax if it wasn’t for that one pesky scratch. They’re the records we’ve … Read More
When collecting vinyl records, you might come across the following terms associated with a special release: live to vinyl, direct-to-disc, or direct-to-acetate. All of these terms refer to the same process, which as they suggest, is the practice of recording directly to a vinyl-disc cutting lathe without first recording to magnet tape or digital storage. Before the advent of magnetic … Read More
Like many Hi-Fi optimization topics, record weights and clamps intended for record stabilization divide opinion. In the pro-stabilization camp, many feel that a record weight or clamp can bring stability during playback, while also helping to tighten and focus the overall sound. Over in the anti-stabilization camp, there is a feeling that record stabilizers can put unnecessary strain on turntable … Read More
A large part of vinyl’s lasting appeal is the artwork. The larger physical canvas has long given musicians the chance to express their art beyond the music in a way that adds to the overall experience of collecting and listening to music. The whole product becomes a canvas, and that includes printing directly onto the vinyl disc. Enter, the weird … Read More
In a world increasingly dominated by the convenience and portability of streaming services, some collectors may question the value of digitizing vinyl records. But the truth is there are still plenty of good reasons to capture the sound of vinyl and turn them into convenient digital files that you can take with you wherever you roam. For starters, many of … Read More
Sound Matters offer a simple explanation of half-speed mastering as a practice while gaining some more detailed insights from experienced Mastering Engineer, Barry Grint. (Barry’s work includes award-winning artists George Ezra and Tom Walker, plus many classic projects, including Madonna, Prince, Oasis, and many more). The Basics To understand what the term “half-speed mastering” means, we must first understand the … Read More
When buying your first turntable, or even upgrading your current setup, there are many technical terms and details that cause some confusion for would-be vinyl enthusiasts. At Sound Matters, we present answers to many of these frequently asked questions in a way that cuts through the jargon, getting to the key points you need to know. Today, we tackle the … Read More